Books

Tiruppāvai or The Sacred Vow is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Āṇḍāḻ. The only woman saint amongst the twelve Āḷvārs. It details the observance of the vows undertaken by the women of the household to attain spiritual union with the Divine.

The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Nācciyār Tirumoḷi or The Sacred Language of Āṇḍāḻ is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Āṇḍāḻ. The only woman saint amongst the twelve Āḷvārs. Here the intense yearning of the soul for the Primordial Lord is underlined and the restless impatience it undergoes in achieving the goal at all costs. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Perumāl Tirumoḷi, The Sacred Language Of Kulaśegarāḷvār is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Kulaśegarāḷvār. So enthralled was the Āḷvār of the presiding deity of Tiruvenkatam hills that he considered a blessing to be born even as a fish in the sacred pushkarani of Tiruvenkatam hills. What follows is a spiritual aspirant’s prayer to the Primordial Lord to shower him with Divine Grace so he can achieve the union with the Divine. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruccanda Viruttam, The Sacred Song Of Creation is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaziśaiyāḷvār. The text details the process of the creation of the cosmos and the pañcharātra doctrine or the five-fold nature of the Primordial Lord. Following which is the spiritual evolution of the soul’s progression towards union with the Oversoul. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tirumālai, The Sacred Garland, is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Toṇḍaraḍippoḍiyāḷvār. This is a treatise on Śrī Vaiṣṇava dharma. There is an old saying Tirumālai ariyadar Tirumālai ariyadar, meaning one who does know the pāsurams of Tirumālai does not know Tirumāl Śrīman Nārāyaṇa. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruppaḻḻiyezucci, The Sacred Awakening Of God is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Toṇḍaraḍippoḍiyāḷvār. Here he sings to awaken the Primordial Lord, presiding deity of Srirangam from his yoga nidra, sleep of yogic consciousness with the gentle reminder of His duties towards the sentient beings. Esoterically, it is also meant to awaken the souls languishing in the dark night of saṃskāras. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Amalanādipirāni or The Immaculate Lord is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tiruppāṇāḷvār. Here, he sings about his mystic vision of the Primordial Lord, presiding deity of Srirangam depicting a progression in spiritual expansion from the subconscious to the superconscious states of being. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Kaṇṇinuṇ Śiṟuttāmbu or The Knotted Rope is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Madhurakaviyāḷvār. Here, he propagates the importance of a guru on the spiritual path. And he sings the glories of his guru, Nammāḷvār and his text, Tiruvāymozi. This is keeping in tradition of āchārya bhakti. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Periya Tirumoḷi, The Fount of Sacred Language is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār, the warlord chieftain famed for challenging the Divine Lord at sword point and receiving the esoteric instruction on the aṣṭākṣarī mantra from the Divine Lord. Throughout, he gently guides the people to turn their attention from the outward, materialistic pleasures towards the inner, spiritual pleasures. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Periya Tirumoḷi, The Fount of Sacred Language is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār, the warlord chieftain famed for challenging the Divine Lord at sword point and receiving the esoteric instruction on the aṣṭākṣarī mantra from the Divine Lord. Throughout, he gently guides the people to turn their attention from the outward, materialistic pleasures towards the inner, spiritual pleasures. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Periya Tirumoḷi, The Fount of Sacred Language is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār, the warlord chieftain famed for challenging the Divine Lord at sword point and receiving the esoteric instruction on the aṣṭākṣarī mantra from the Divine Lord. Throughout, he gently guides the people to turn their attention from the outward, materialistic pleasures towards the inner, spiritual pleasures. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tirukkuṟundāṇḍagam or The Sacred Short Poem is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār, the warlord chieftain famed for challenging the Divine Lord at sword point and receiving the esoteric instruction on the aṣṭākṣarī mantra from the Divine Lord. Tirukkuṟundāṇḍagam addresses the dependency of the mortal soul on that of the Divine Oversoul and its journey back home. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruneḍuṇdānḍagam or The Sacred Long Poem is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is  sung by Tirumaṅgaiyāḷvār, the warlord chieftain famed for challenging the Divine Lord at sword point and receiving the esoteric instruction on the aṣṭākṣarī mantra from the Divine Lord. Tiruneḍuṇdānḍagam known as Vedanta Śāstra describes the way to attaining salvation. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Mudal Tiruvandādi or The First Sacred Poem, is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Poygaiyāḷvār. The first amongst the twelve Āḷvārs. In this text, Poygaiyāḷvār explains his understanding of the Transcendental through knowledge parajñāna. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Iraṇḍān Tiruvandādi or The Second Sacred Poem is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Bhūdattāḷvār. The second amongst the twelve Āḷvārs. In this text, Bhūdattāḷvār explains the state of parabhakti the devotion or love that draws the devotee towards the Primordial Lord. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Mūnṟām Tiruvandādi or The Third Sacred Poem is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Peyāḷvār. The third amongst the twelve Āḷvārs. In this text, Peyāḷvār explains the spiritual condition of parama bhakti the state of being where to merge with the Primordial Lord reaches a high intensity that the devotee is unable to do anything else except seek union with the Divine Lord. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Nānmugan Tiruvandādi or The Fourth Sacred Poem is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaziśaiyāḷvār. The fourth amongst the twelve Āḷvārs. In this text, Tirumaziśaiyāḷvār establishes the philosophical nature of the cosmic creation and the supremacy of the creator, the Primordial Lord, Śrīman Nārāyaṇa over all the other godheads evidenced since the Vedas. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruviruttam, The Sacred Moments of Time is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Nammāḷvār. Tiruviruttam encapsulates the love story of a spiritual aspirant and his Beloved, the Divine Lord, the story of the jīvātma and the paramātma. Tiruviruttam is a text leading to self-realisation through the path of devotion, para bakthi. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruvāśiriyam, The Sacred Observance is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Nammāḷvār. Tiruvāśiriyam is an elaboration of the nārāyaṇayā intonation of the mūla aṣṭākṣarī mantra oṃ namo nārāyaṇayā. Tiruvāśiriyam is a text leading to self-realisation through the path of knowledge, para jñāna. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Periya Tiruvandādi, The Fount of Sacred Poetry is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Nammāḷvār. Periya Tiruvandādi details the intense desire to unite with the Divine Lord through the path of service; parama bakthi. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruvezukūṟṟirukkai, The Sacred Game of Numbers is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār. Tiruvezukūṟṟirukkai is an extraordinary poetical exercise written in the style of chitra kavi. Here, the poetical genius of the poet has translated numbers into mystical intonations with deep spiritual connotations. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Śiṟiya Tirumaḍal, The Short Poem of Sacred Protest is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār. The maḍal poetic form arises out of the depth of love the Āḷvār feels for the Lord and is used as a form of protest. It is used in a spiritual way to attain a spiritual goal towards śaraṇāgati self-surrender, discarding all pride, ego, vanity; where bridal mysticism transports the mystic to the supra-physical plane of being. Here, the experience of parakāḷa nayaki the alter ego of Tirumaṅgaiyāḷvār is expressed through her mother. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Periya Tirumaḍal, The Long Poem of Sacred Protest is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tirumaṅgaiyāḷvār. The maḍal poetic form arises out of the depth of love the Āḷvār feels for the Lord and is used as a form of protest. It is used in a spiritual way to attain a spiritual goal towards śaraṇāgati self-surrender, discarding all pride, ego, vanity; where bridal mysticism transports the mystic to the supra-physical plane of being. Here, parakāḷa nayaki the alter ego of Tirumaṅgaiyāḷvār expresses her own profound mystical experiences. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Irāmānuśa Nūṟṟandādi, An Ode To Rāmānujā is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Tiruvaraṅgattamudanār. The text glorifies his guru, Śrī Rāmānujācāryā; the founder of the Viśiṣṭadvaita school of philosophy. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruvāymoḷi, The Sacred Utterances is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Nammāḷvār. Tiruvaymoḷi, Nammāḷvār’s magnum opus and the fount of sacred knowledge for the Śrī Vaiṣṇavites is a spiritual treatise on the merger of the individual soul with the Divine Oversoul. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Tiruvāymoḷi, The Sacred Utterances is part of the Nālāyira Divya Prabandham of the Śrī Vaiṣṇava tradition and is sung by Nammāḷvār. Tiruvaymoḷi, Nammāḷvār’s magnum opus and the fount of sacred knowledge for the Śrī Vaiṣṇavites is a spiritual treatise on the merger of the individual soul with the Divine Oversoul. The uniqueness of this book is that it provides the English Translation of the verses sung in ancient Tamil as well as the English Transliteration for accurate pronunciation.

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Lady Sita is on the run and when she comes upon a Lady of the manor being ill and unattended; she decides to stay on and help until her nephew, Lord Julian Stonebridge arrives from India and looks with suspicion upon his newest cousin. In midst of all this, trouble comes calling in the guise of the Rajah’s men and her long-lost brother, Dominic.

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Leila is London’s most beautiful courtesan and legendary are the men languishing at her pretty feet, styled as she is as the Indian princess. Lord Richard Rivenhall is a spy in the Foreign Office and clues lead him to think that she is a traitor. Leila is not who Richard thinks she is and yet, she has her own deadliest secrets to hide.

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Coerced into being a jewel thief, Mina breaks into the Devil Duke’s mansion and is caught red-handed by the Devil himself. From the gutters of London she grew up innocent and as pristine as a lotus amongst pond slime and he was so disillusioned by human nature that nothing stirred his interest anymore. Would this reckless beauty bring him back from the edge of darkness before fate intrudes in the guise of her enemies?

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Lord Spencer Huntingdon driven to purchase a commission to impress his fiancée returns from the war a scarred cripple. Jilted, he now lives in the shadows of the Huntingdon Priory hiding his scarred face from the world warped in the aching loneliness and fear until one fateful night a beautiful woman on the run stumbles upon him and warns him of jewel thieves. Lady Isha forced to dress up as a boy warns Lord Spencer and then stay on to cure him of a raging fever. But she doesn’t stay long enough to find out if her herbs have healed his scars and his leg until they meet in the most exclusive ballroom of the Ton along with his ex-fiancee.

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Uma becomes an unwilling witness to a race fixing racket and she rushes to inform the Marquis of Thorncourt that one of his men will soon betray him. Sylvester scorns her and so she disguises herself as a boy and trains his horses until Sylvester is forced to acknowledge the threat is real. They leave for London to discover more clues and there she meets her sister; now Duchess of Winterbourne. Uma knows Sylvester is the Ton’s most eligible bachelor but will he offer her the love she desperately seeks?

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When wealthy heiress Lady Annabella Maybricks is importuned to marry by her odious uncle coveting her wealth, she takes matters in her own hands and runs away and strikes a deal with a stranger at an inn. Lord Damian traveling incognito and on the run since his parents death looks upon her proposition with suspicion and then decides that marrying her and taking possession of her estate, Greenwoods Park is the perfect disguise until their enemies catch up with them for a final reckoning.

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Driven to get out of her stepbrother’s clutches, Helen Amberfeld took the opportunity when she was staked in a game of chance. She decided that she would rather walk away with Lucian who won her than remain with her stepbrother. But their journey to her estate was fraught with peril; being chased by highwaymen and kidnappers until they finally arrive at Bellaview, her inheritance only to meet Lucian’s forbidding brother, Dominic who immediately suggests marriage. Was that her only option or would she be dragged by her stepbrother and forced into marriage with his friend?

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After spending years in the glittering ballrooms of the Ton, Miranda Mellors is bored to tears by the current crop of beau. Determined to marry a man of her choice she goes where no respectable lady should, into the most exclusive gaming hell of London where she discovers she is surrounded by the rakes of the worst order only to be rescued by the mysterious owner of the gaming hell. Lord Wulfric had delayed his entry into Society awaiting his brother. They meet at the Duke of Winterbourne’s Chateau de Winter for a family reunion where they are followed by their enemies who boldly attack the ladies leaving Miranda bewildered and out-of-depth amidst this bold family

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Caught red-handed in the arms of a notorious fortune hunter and publicly denounced by her fiancé, Lady Rosalyn Anderson is furious with her parents and the Ton and decides to run away. She boards the ship ‘Coral Lady’ and finds she had just handed her virginity to the captain. Will Tristan leave the memories of his dark past behind long enough for him to embrace the present or will the return of his brother, Dominic into his life be the trigger that will loosen the demons within?

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Lady Sybila Overton is forced into an engagement with the Rajah of Shamapur. Unable to go through with the farce of a marriage, she contemplates shooting herself, when she is rescued by the Duke of Andover. The elusive Duke has come back from the dead to claim his dukedom and finally end the feud between himself and the Rajah and to take revenge for his parents’ deaths. In a world where treachery and betrayal reign, a world where greed and lust rule, Lady Sybila is trapped in a desperate web of fears, murder and intrigue. Will she and Dominic have the courage to reach out to the destiny of love that all the forces of the world cannot defeat?

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The Baron of Balfour is bored. Even after being confronted with the news that he is now guardian to a young girl, he blithely orders his secretary to send her to a Ladies Seminary while he leaves London. En route, he encounters a young miss escaping from a Ladies Seminary and is shocked to learn that she is his ward whom he thought was still an infant. He is forced to launch her into Society while he realises that he isn’t so bored anymore.

They say third time’s a lucky charm and so, once again the Cruel Count, said to have killed his wife and his fiancée, once again braves the Ton to find himself a wife. Lady Sophia Worthington, an Incomparable beauty has caught his eye. Will she be his third victim, the Ton gossips?

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Robert, the Earl of Lansdowne receives an urgent summons from his estate manager on smuggling activities at his country estate. At the same time, he receives a letter from his sister, the Duchess of Lovedale, who requests him to visit her dear friend, Lady Minerva Merryweather who is now widowed and residing at Leith Hill, neighbour to Lansdowne estate. When the Earl arrives to take charge, he finds himself playing host to characters all equally unsavoury, Minerva’s mother-in-law, the new Viscount Merryweather, the vicar, the obnoxious, Marion Bexhill. Well, whoever said love can be smooth sailing.

The Duke of Lovedale rescues a gamin child from a runaway horse at Hyde Park who grows up to be Lady Olivia Lansdowne, a diamond of the first water. An impromptu fencing duel goes badly for the Duke and he retires from Society with a scarred face. Years later, he returns only to once again rescue Lady Olivia from his old enemy. Will he find happiness this time round or will his enemies that surround them become triumphant, yet again?

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Regina D’Arcy has a problem which is to keep the illness of her father, Baron D’Arcy from becoming public knowledge. To that end, she quietly takes over the reins of demesnes while overseeing the declining health of her father in the tower room. But unknown to her, wicked treasonous plots stir around her that draws the attention of the overlord, Earl William Warwick. He visits to investigate and stays on being informed that the Baron D’Arcy is away from home. Will Regina be able to withstand the strain of her secret or will the Earl Warwick condemn her as a traitor?

Lady Sophia Darlington was surprised to receive a proposal from the Earl of Easthaven who was said to have left his fiancée enceinte and with a broken engagement. Dare she trust him to be true to her? She is a shy wallflower and he a dazzling specimen of manhood. He wants to setup his nursery and she wants him to love her first. Who will win this game of hearts?

To escape the unsavoury attentions of her guardian, Lady Katherine agrees to a proxy wedding to a supposedly mad Duke. On arrival at Alynwick Castle, she finds Piers Montgomery to be a perfect gentleman but blind. Her guardian tries to kidnap her but her blind Duke saves her. Her guardian now armed with the news that the Duke is blind spreads it all over the Ton. Will her proxy marriage survive the scandal?

Adam, Duke of Rothesay inherited the ability to mind-merge with people from his French Romany grandmother. While traveling to the ducal estate, he accidentally mind-merges with a young lady captive in the English countryside. He rescues her and soon it’s a race to outrun and outsmart the lady’s captors. Will a sudden marriage to protect Lady Evelyn save them both or will it be the last straw?

Set in deep countryside, the Pickering fortune is not to be taken lightly but the only son of Sir Pickering is bypassed and the fortune is bestowed upon the grandson of his runaway daughter. The heir apparent, a common soldier, must need polish up his manners taught by Miss. Arabella Loring and fight for her honour to boot, which leads one to wonder, how common a common soldier is he?

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Lady Caroline Laxton was forced to run away from Society by a gentleman. She earns a living by her writing. Her novel about a young girl who turns to prostitution after being ravished by Lord Justin Summerleigh is all Society is talking about. Caroline doesn’t know there is a real Lord S-who is absolutely livid that his reputation is destroyed. He hunts her down to destroy her. Will she be able to convince the enraged Lord that the naming was a mere coincidence? Or will she have to run away once again?

This haunting collection of short stories are snapshots of mother-daughter relationship in different parts of India. It is a celebration of life and an experiment in understanding the inter-personal dynamics of mother/daughter relationship. Like a series of photographs they bring out the sustenance, growth and ritualistic bonding of mother and daughter. The stories is a close looping of sentiment, cultural differences and at times, just plain love.

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Walking in the ancient land of Kannagi known for her mercy who accepted her husband even after his extra-marital affair and then accused a king of grave injustice and set ablaze a kingdom, Kamini finds herself at the crossroads between history and the present. Old familiar patterns have cyclical reruns and from the bastion of Hindu womanhood, will she find answers that she seeks?

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Three generations, three women, three challenges with one constant, a mother-daughter relationship. This is a story that spans three generations of women tied together by a common heritage. Women are strong as women are often wont to be but with families that set out to tear relationships apart due to greed and avarice, can women keep their integrity and their family together?

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Recovering from a near fatal stroke, Rajnath Pandit, walks around Kashi, the city of light and muses about the whole process of dying. Here, where people come to celebrate death and dying; Rajnath wonders what is it about the city of death that draws people from all walks of life to end their lives here. And what part does Karma play in this grand theatrical backdrop?

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“That’s my last Duchess standing on the wall,

Looking as if she were alive.”

My husband, His Grace, the Duke of Ferrara spoke those words quietly gesturing to a painting hung on the wall at the far end of the gallery. A chill slithered down my spine and the hair at the back of my neck rose in warning. I struggled to control the impulse, to rub my arms to warm myself at the sudden ominous chill his words engendered. What had I gotten myself into? Will I even survive this marriage?

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Gorgeous George Grainger didn’t want anything to do with her a year back. He claimed she was too young and inexperienced. So, why has he come back into her life now? And when Dena had finally picked up the pieces of her life together and decided to move on. If that wasn’t enough her former boyfriend is also at her workplace. As technology servers crash, Dena wonders who of the two men hate her so much to sabotage her professional career? Will she learn to trust again after being betrayed by the two men? Will she find the love she is longing for or will it prove as elusive as the viruses she tracks?

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The years 1880-1892 were seminal on various fronts. Spiritually the thirst for everlasting Truth was gaining precedence. Politically the country began clamouring for Independence. Socially, outdate institutions were being radically overthrown by humanistic principles and a new enlightenment was dawning among the masses. The collection of writings in this book include current happenings of that time and major interest topics for the public and also deep esoteric truths that are revealed in its pages for the discerning reader.

1892-1900 లో దేశ చరిత్రలో నే సంధి యుగం సత్యం తెలియచేయాలని అన్ని కాంక్ష జనంలో అధికమైంది. సాంఘిక, రాజకీయ వాతావరణం తాగిన పరిస్థితి కల్పించింది. మానవతా విల్లువల తూ కుడిన తాత్విక రచనలు. నూతన ఉతేజనే ని కళింగించే పత్రికలో వెల్లువెత్తిన శ్రీరంగంపల్లి జగన్నాథయ్య గారి వ్యాసాల సంకలనం ఇది. చదువరులకు అనేక అపూర్వ విశేషాలను అవగతం చేస్తాయి. నెట్టి యువతరం తెలుసుకోవలసిన సంగతులు ఎన్నో ఇక్కడ ప్రక్షితం అయ్యనయి. అంధరకీ ఇధి సరికోత కానుకా.

This first collection of poems indicate the poet’s absorbing and sensitive handling of women’s issues; charming in its cohesiveness and fiery in its ideology.